Television Times – Ashes to Ashes (an introduction).


Or, why I love Gene Hunt.

So. The great debate. Should this spin-off from Life On Mars ever have been allowed to occur – does it taint its marvellous predecessor – or, does it overshadow and outrun Life On Mars, and viewers are very happy that there are many more hours of Gene Hunt to be enjoyed?

As much as I liked Life On Mars, I think I have to hand it to Ashes. This is a hugely controversial point, but I find Keeley Hawes (DI Alex Drake) gives a much more convincing performance than the lead in Life On Mars, John Simm, who plays Sam Tyler. This may be slightly down to the characters themselves, as Alex Drake knows where she is, she has already read about the characters, and she seems, therefore, less insane than Sam Tyler. The viewer is able to relax more in this series, and enjoy the plot lines, the acting, the script – everything really – as, in Life On Mars, you’re not constantly thinking “Oh GOD he’s GOING TO DIE” or “Just shut up and enjoy the 70s maybe?”, and you’re not living in fear that Alex Drake is going to cease to exist because of everything that has happened before. So it is a more relaxing and enjoyable series as a whole, I prefer the performance and character of Alex Drake, and aside from all of that, you still get all the goodness that was first created in Life On Mars, but in the 80s with (potentially) better music. What’s not to like?!

Criticisms have ranged from Keeley Hawes not delivering a believable enough performance (despite being nominated for various awards), to the idea that the writers were just doing what they did with Life On Mars, but more of it, and with a woman. Now I’m not a feminist, but Keeley Hawes does make a decent police officer, and even if you don’t like that, surely the hilarious tension between Alex Drake and Gene Hunt makes for very entertaining viewing? Much more so than the love-hate relationship between Gene Hunt and Sam Tyler anyway.

Now despite the character of Gene Hunt having reformed slightly, he stills retains what makes him him:

“I am just trying to get this man arrested for murder, if that makes me a fascist, then Heil bloody Hitler!”

And despite having written this with only two out of the three original writers, I feel the script is still just as good, if not better than Life On Mars. Ashes also includes one of my favourites ‘romances’ (what a hideous word in this context), between DC Chris Skelton and WPC Sharon Granger (‘Shaz’), which is SO ADORABLE YOU JUST WANT THEM TO RUN OFF INTO A SUNSET. That paralleled with the somewhat explosive relationship between Alex Drake and Gene Hunt is particularly well done.

Basically, Ashes is just as good, if not miles better than, Life On Mars, and since I have now caught up with all available series (within about 2 weeks), I shall be reviewing each new episode of series 3, shown on Fridays, BBC 1, at 9pm. Watch it bitches. Or bastards.

(And I’d like to point out I chose the series 2 trailer due to the awesome driving and genius music, not for the violence)

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2 Responses

  1. Good girl!

  2. You should thank John Simm for pulling out of LoM after two series so the creators could flog the conceit further and bring us the crap-fest that was Asses to Asses. I’ve decided to go back in time to before A2A hit the airwaves and nearly dragged LoM down with it.

    You poor deluded people do realize that, when future “10 best TV show endings” lists are created, you’ll not find A2A anywhere on that list, but LoM will continue to rule at number One. HA! And again, if I want to see a copper like Gene Hunt, I’ll watch the original, Andy Sipowicz on NYPD Blue. Who says the Americans are always copying the Brits?

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